BSFW: I think it is great advice for all of us. It was originally posted on the Clarion site, blog post 122 run by Lynda Williams written by Kim Neville
   
      I recently started reading slush submissions for Ideomancer, an opportunity I’m enormously grateful for. I’ve long been a believer in the benefits of critiquing the work of others. Slush-reading has brought me new insights to apply to my own work. Here are the top three lessons I’ve learned thus far:


Get to the Point
      I should know this. I’ve heard the advice countless times. You only have a paragraph, maybe a page, to capture an editor’s interest, so it’s best to cut to the action as quickly as possible. Still, there’s nothing like reading a dozen story openings in quick succession to drive the point home. The other day I reread a story I always loved but was never able to sell. It was obvious the first six pages needed to be cut. All the setup I thought essential? Not so much.


Stay Focused
     I see a lot of otherwise well-written stories with pacing problems. Once you’ve gotten an editor’s attention, you need to keep it. Don’t use the second scene to dump all the information you cut out in the first. (Guilty.) Remove any scenes, no matter how pretty, that don’t move your story forward. (Also guilty.) And please, don’t bog down your middle explaining things your reader has already figured out. (Ugh. So completely guilty.)


Deliver the Unexpected
     Most slush stories end exactly how you expect they will. They’re not necessarily weak endings – just not memorable. Those rare moments when an author surprises me with something unexpected are the ones I hope for every time I open my inbox. I’m still working on incorporating this into my own writing.
      My slushing experience has helped me see that I need to focus more attention on my endings.  
      Do editing, slush reading or critiquing the work of your peers have an impact on your own writing? Is it positive or negative? What’s the most valuable lesson you’ve learned through engaging in these activities?


Kim Neville writes contemporary fantasy. She lives near the ocean in Vancouver, Canada with her husband and six year-old daughter. Her floors are often covered in sand and glitter. Kim is a graduate of Clarion West, class of 2012. She has a story forthcoming in the Summer 2013 issue of Shimmer. Her work has also appeared in On Spec and Leading Edge. www.kimneville.com. 

It's always a challenge to keep those words flowing. But we're here to help! Who wants to join an attempt to write a story a week in June?

By short story, we mean SHORT story: 4,000 to 5,000 words. It's a great way to practice all the elements of writing -- character, description, plot, pacing, voice, etc. -- in one small package. Plus, you get the satisfaction of completing something.

And what does BSFW get? More short stories to critique! It's a win win win win.

We're not just leading you to the starting line and saying "go!" Start here, with this fantastic podcast episode on short story writing. You don't have to subscribe to the "Writing Excuses" podcast to listen, but we hope once you've heard this one, you'll be hooked on this amazing resource for writing advice.

We can keep each other appraised of our progress on our Facebook page.

Also, don't forget the BSFW Daily Writing Challenge! It's a worksheet on Google Drive that gives you points for writing at least 250 words each day. And who doesn't love points? Click here to email Brad to get started if you haven't yet. The June spreasheet will be ready by the end of the week.

Let's write some short stories! Who's in?