by Holden Lee
Today I continue my series on ReaderCon with two panels on how to engage with the writing community. The first panel is about choosing a writing program or workshop, and the second is on joining or creating a local or online writers' group. Writing Craft and Mentoring Programs There are now more MFA and writing programs than ever before. This panel addresses the question: how to choose between them? The main distinction is between intensive workshops and credentialing programs (such as MFA’s). Intensive workshops develop critiquing facilities that you can turn onto your own work, as well as create instant community and give you a mutual support system. A credentialing (degree) program won’t do more for your editing skills than a workshop will, but is important if you want to teach writing. A degree program is like an apprenticeship, so if you decide to apply, pay attention to who you’re going to be studying with, and whether they are good teachers. Also consider what kind of program is right for you, such as whether you want a full-time or a low-residency program. Beyond the high-profile workshops (Clarion, Odyssey), there are many local workshops and classes, for example, Grub Street in Boston and Gotham Writers in New York, as well as online classes such as Odyssey and Writing the Other. The panelists also gave some recommendations for books on writing: Steering the Craft, Ursula Le Guin and Story, Robert McKee. Finally, Kenneth Schneyer offered some motivational words (loosely paraphrased): "Rejection is part of an artists’ life. Be accustomed to the experience without being crushed, and get used to resending things. I’m reasonably successful, and my acceptance rate is 9%." Making First Contact with Your Local Speculative Fiction Community ReaderCon and other national conventions are great, but how else can you connect with the writing community in the meantime? The panelists gave a lot of suggestions for connecting with the writing community, both locally and online. Here is a list:
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