You know we love to crow when another BSFW writer gets her wings and publishes in a pro-market. 
     Watch out world, Erin Roberts' story, "Wolfy Things" was just published in the Parsec-nominated fantasy podcast, Podcastle!
  So, here's a little about Erin Roberts:  She writes in New York City under the watchful eye of her cat Crumbsnatcher. She is an MFA student at Stonecoast, a graduate of the 2015 Odyssey Writing Workshop, and a workshop leader for the New York Writers Coalition. When not writing, she can most often be found singing karaoke, lifting heavy objects, or trying to change the world. You can check out her latest exploits at @nirele or on writingwonder.com.
       Congratulations Erin! Look for more from this author, readers.

     2013 is coming to a close. Going into the new year, it's often instructive to look back at the beginnings of things, and find wisdom that's worth holding on to, a kind of touchstone to our future.  E.D. Powers wrote an article that, in bizarre backhanded fashion, attempts this for fans and writers of Fantasy.  Unfortunately, a lot of the historical value (and there's more than a little) of his article is lost in his tone, starting with the title...
 "Sorry, J.R.R. Tolkien is not the father of fantasy: The creator of 'The Hobbit' gets more credit than he deserves.''
     Ouch. Without rehashing his point, what I think he was trying to  say was that there was epic fantasy before Mr. Tolkien and that most of the successful modern fantasy writers  were just as greatly influenced by Tolkien's contemporaries, the writers of early pulp fiction, and then later on by Dungeons & Dragons gaming. Let's just all agree that he unnecessarily ruffled a lot of feathers, acknowledge the disrespect, and see if there's something salvageable.  
        Beyond Mr. Power's enlightening history lesson, we can reconsider the psychological needs of the modern fantasy reader. One of the strengths of R.R. Martin's "Song of Ice & Fire" is its complexity. The realism of the modern world overlaying the tropes of epic fantasy paints a picture of the often confusing, sometimes macabre global-village-butterfly-affect that holds the readers attention as they try to figure out, not just who the hero is amid a massive cast of heroes, but which one will survive long enough to finish his/her quest. It's wonderfully attuned to the modern zeitgeist , but is that what all  fantasy readers need? I would say, no.
      Hundreds of thousands of our citizens go to war. There is an entire generation that have sacrificed the best years of their life entrenched in tragedy, trauma, and the kinds of complexities that are as unreal to the remaining 99% of us as dragons, but every one of them just as lethal.  
       Here is my thought. Tolkien's Middle-Earth presents a conflict where acts of righteousness and evil are crystal clear and the heroes gather together to annihilate a monster that is practically invisible. When the heroes win, the world is returned to them changed, but forever theirs, forever in their debt, forever peaceful. 
      The thought came to me as I watched the Hobbit this past weekend and learned how to turn off my inner cynic.  The The modern fantasy fan may, to borrow half a metaphor from science fiction, opt for the blue pill and a world that mimics are own with a clever underlying gestalt. End metaphor. 
       Still, others will need a different kind of medicine. A Carrollesque rabbit hole maybe be preferred. One depositing them in a place that, at its heart, resembles the Middle-Earth they fundamentally need, very similar the vets of the World Wars, when the Hobbit and Lord of the Rings were first published. 
        Every sub-group of genre fan will have their preferences, many of them having nothing to do with escapism or fantasy. But if it were escape, if it were an outlet that was yearned for, I for one would never choose to escape to Westerios and stay. The Shire however, is a different story all together. Now, go build your worlds.

Your thoughts and disagreements are welcome.

-Rob Cameron